100 Days of Shooting Through
This project was about altering how I see—not through digital manipulation, but in the moment, through physical obstruction. Shooting through is, paradoxically, both an act of seeing and an act of obscuring.
For 100 consecutive(ish) days, I made photographs by placing objects between my lens and the world. “Through” took many forms—peering through perforations like a colander, framing light through fence slats, layering space with everyday materials. Each obstruction shaped not just what I saw, but how I saw, turning barriers into tools of discovery.
