100 Days of Disconstruction is a series of portraits of demolished and derelict buildings, reshaped into something new.

I have been drawn to demolition sites since the 1990s, documenting their undoing on both film and digital media. In 2015, this fascination took a new form when I began my first 100-day project, challenging myself to interact with my archive in new ways. The process was playful at first—like a child experimenting (dis)construction paper. I submerged images in water, placed magnifying glasses over them, cut them apart and reconstructed them. Some became objects, sealed in lockets or rephotographed in unexpected settings.

As the project unfolded, it led me back into the field. I sought out new demolitions, spending weeks documenting a massive site that culminated in the implosion of a 12-story hospital. This project was never just about destruction—it was about reimagining what remains.